Michael Winterbottom directs this graphically violent thriller based on the novel by Jim Thompson. Casey Affleck stars as Deputy Sheriff Lou Ford, a pillar of the community in the small Texas town of Central City. However, Ford is not quite the upstanding citizen he appears to be, as becomes apparent after he is ordered to evict local prostitute Joyce Lakeland (Jessica Alba) and ends up embroiled in a torrid affair with her. When his fiance Amy (Kate Hudson) becomes suspicious, the consequences are bloody and brutal as the dark secrets of Ford's past are finally brought to light.

"Eye-opening and addictively readable." Total Film Who and what decides if a film gets funded? How do those who control the purse strings also determine a film's content and even its message? Writing as the director of award-winning feature films including Welcome to Sarajevo, 24 Hour Party People and The Road to Guantanamo as well as the hugely popular The Trip series, Michael Winterbottom provides an insider's view of the workings of international film funding and distribution, revealing how the studios that fund film production and control distribution networks also work against a sustainable independent film culture and limit innovation in filmmaking style and content. In addition to reflecting upon his own filmmaking career, featuring critical and commercial successes alongside a 'very long list' of films that didn't get made, Winterbottom also interviews leading contemporary filmmakers including Lynne Ramsay, Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg about their filmmaking practice. The book closes with a vision of how the contemporary filmmaking landscape could be reformed for the better with fairer funding and payment practices allowing for a more innovative and sustainable 21st century industry.

The Major Declamations stand out for their unique contribution to our understanding of the final stage in Greco-Roman rhetorical training. These exercises, in which students learned how to compose and deliver speeches on behalf of either the prosecution or the defense at imaginary trials, demonstrate how standard themes, recurring situations and arguments, and technical rules were to be handled by the aspiring orator. And what is more, they lay bare the mistakes that students often made in this process. The practice of declamation was already flourishing in Greece as early as the fifth century BC, but nearly all of its vast tradition has disappeared except the present anthology, whose nineteen declamations are almost the only substantial examples surviving from pre-medieval Latinity. They seem to represent that tradition reasonably well: although attributed to the great master Quintilian in antiquity, internal features indicate multiple authorship from around AD 100 to the mid- or late third century, when the collection was assembled. A wide variety of fascinating ethical, social, and legal details animates the fictional world conjured up by these oratorical exercises, and although the themes of declamation can be unrealistic and even absurd (often reminiscent of ancient novel and tragedy), they seem to provide a safe space in which a student could confront a range of complex issues, so as to attain both the technical knowledge necessary to speak persuasively and the soft skills needed to manage the challenges of adult life under the Roman empire.

The Major Declamations stand out for their unique contribution to our understanding of the final stage in Greco-Roman rhetorical training. These exercises, in which students learned how to compose and deliver speeches on behalf of either the prosecution or the defense at imaginary trials, demonstrate how standard themes, recurring situations and arguments, and technical rules were to be handled by the aspiring orator. And what is more, they lay bare the mistakes that students often made in this process. The practice of declamation was already flourishing in Greece as early as the fifth century BC, but nearly all of its vast tradition has disappeared except the present anthology, whose nineteen declamations are almost the only substantial examples surviving from pre-medieval Latinity. They seem to represent that tradition reasonably well: although attributed to the great master Quintilian in antiquity, internal features indicate multiple authorship from around AD 100 to the mid- or late third century, when the collection was assembled. A wide variety of fascinating ethical, social, and legal details animates the fictional world conjured up by these oratorical exercises, and although the themes of declamation can be unrealistic and even absurd (often reminiscent of ancient novel and tragedy), they seem to provide a safe space in which a student could confront a range of complex issues, so as to attain both the technical knowledge necessary to speak persuasively and the soft skills needed to manage the challenges of adult life under the Roman empire.

The Major Declamations stand out for their unique contribution to our understanding of the final stage in Greco-Roman rhetorical training. These exercises, in which students learned how to compose and deliver speeches on behalf of either the prosecution or the defense at imaginary trials, demonstrate how standard themes, recurring situations and arguments, and technical rules were to be handled by the aspiring orator. And what is more, they lay bare the mistakes that students often made in this process. The practice of declamation was already flourishing in Greece as early as the fifth century BC, but nearly all of its vast tradition has disappeared except the present anthology, whose nineteen declamations are almost the only substantial examples surviving from pre-medieval Latinity. They seem to represent that tradition reasonably well: although attributed to the great master Quintilian in antiquity, internal features indicate multiple authorship from around AD 100 to the mid- or late third century, when the collection was assembled. A wide variety of fascinating ethical, social, and legal details animates the fictional world conjured up by these oratorical exercises, and although the themes of declamation can be unrealistic and even absurd (often reminiscent of ancient novel and tragedy), they seem to provide a safe space in which a student could confront a range of complex issues, so as to attain both the technical knowledge necessary to speak persuasively and the soft skills needed to manage the challenges of adult life under the Roman empire.

Roman secondary education aimed principally at training future lawyers and politicians. Under the late Republic and the Empire, the main instrument was an import from Greece: declamation, the making of practice speeches on imaginary subjects. There were two types of such speeches: "controversiae" on law-court themes, "suasoriae" on deliberative topics. On both types a prime source of our knowledge is the work of Lucius Annaeus Seneca, a Spaniard from Cordoba, father of the distinguished philosopher. Towards the end of his long life (?55 BCE-?40 CE) he collected together ten books devoted to "controversiae" (some only preserved in excerpt) and at least one (surviving) of "suasoriae," These books contained his memories of the famous rhetorical teachers and practitioners of his day: their lines of argument, their methods of approach, their idiosyncrasies, and above all their epigrams. The extracts from the declaimers, though scrappy, throw invaluable light on the influences that coloured the styles of most pagan (and many Christian) writers of the Empire. Unity is provided by Seneca's own contribution, the lively prefaces, engaging anecdote about speakers, writers and politicians, and brisk criticism of declamatory excess.

Tacitus (Cornelius), famous Roman historian, was born in 55, 56 or 57 CE and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years' absence he experienced the terrors of Emperor Domitian's last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus.

Works: (i) "Life and Character of Agricola," written in 97-98, specially interesting because of Agricola's career in Britain. (ii) "Germania" (98-99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) "Dialogue on Oratory" ("Dialogus"), of unknown date; a lively conversation about the decline of oratory and education. (iv) "Histories" (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period 69-96 CE, but only Books I-IV and part of Book V survive, dealing in detail with the dramatic years 69-70. (v) "Annals," Tacitus's other great work, originally covering the period 14-68 CE (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books I-IV (covering the years 14-28); a bit of Book V and all Book VI (31-37); part of Book XI (from 47); Books XII-XV and part of Book XVI (to 66).

Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story whichhe brilliantly tells. As a historian of the early Roman empire he is paramount.

The Loeb Classical Library edition of Tacitus is in five volumes.

Roman secondary education aimed principally at training future lawyers and politicians. Under the late Republic and the Empire, the main instrument was an import from Greece: declamation, the making of practice speeches on imaginary subjects. There were two types of such speeches: "controversiae" on law-court themes, "suasoriae" on deliberative topics. On both types a prime source of our knowledge is the work of Lucius Annaeus Seneca, a Spaniard from Cordoba, father of the distinguished philosopher. Towards the end of his long life (?55 BCE-?40 CE) he collected together ten books devoted to "controversiae" (some only preserved in excerpt) and at least one (surviving) of "suasoriae," These books contained his memories of the famous rhetorical teachers and practitioners of his day: their lines of argument, their methods of approach, their idiosyncrasies, and above all their epigrams. The extracts from the declaimers, though scrappy, throw invaluable light on the influences that coloured the styles of most pagan (and many Christian) writers of the Empire. Unity is provided by Seneca's own contribution, the lively prefaces, engaging anecdote about speakers, writers and politicians, and brisk criticism of declamatory excess.

California 1860 and prospector Daniel Dillon (Peter Mullan) has made a fortune in gold and is now running Kingdom Come, a small town built in the heart of the Sierra mountains. He wants to turn the town into a thriving city and to this end he asks Dalglish (Wes Bentley), an engineer plotting the course of the Pacific Railroad Expedition, to survey the surrounding area. But then Dillon's wife (Nastassja Kinski) and twenty-year-old daughter (Sarah Polley), both of whom he had traded for his goldmine years before, arrive in town asking for help. Dillon is overcome with guilt, and leaves his mistress Lucia (Milla Jovovich) in order to seek his wife's forgiveness. Lucia herself then takes up with Dalglish, who tells Dillon that the railroad will not be passing through his town, thereby causing the increasingly-unhinged prospector to reach for his rifle....

The Miracles of the Virgin Mary, written c. 1135 by the Benedictine monk and historian William of Malmesbury (d. 1143), is an important document in the history of Marian devotion in medieval Europe. This is the first title in the new series Boydell Medieval Texts, which will provide scholarly editions of major works with facing translation. Written c. 1135 by the Benedictine monk, historian and scholar William ofMalmesbury (d. 1143), The Miracles of the Blessed Virgin Mary is of interest on several counts. It belongs in the first wave of collected miracles of the Virgin, produced by English Benedictine monks in the 1120s and '30s.These collections were to be influential across Europe and through the rest of the medieval period. Only two copies of William's work survive in anything like its complete form, and only one of them represents the finished product. But many of the stories were also transmitted separately, in groups or individually; the systematic use of this evidence is a feature of this new text. The work is written in elegant Latin and embellished with William's customary erudition, including frequent quotations and echoes from (sometimes unusual) ancient authors. His instinct as a historian is to the fore, as he tries to establish historical context and credibility for his stories. Above all, the scope of the collection is surprisingly international, including stories drawn from all around the Mediterranean. This is an important document in the history of Marian devotion in medieval Europe. In his long Prologue (which enjoyed some independent circulation), William argues strongly for the Virgin's Immaculate Conception and bodily Assumption, doctrines still not generally accepted in western Europe at the time. With the appearance of this book all of William of Malmesbury's major works are available in modern editions and translations. A paperback edition of the translation alone is also available (9781783271962).

The Early Lives of St Dunstan contains new editions, with translation and extensive commentary, of the two earliest Lives of St Dunstan, archbishop of Canterbury (960-88) and one of the principal figures of the tenth-century English church. The two Lives were composed in the early eleventh century (within a few years of Dunstan's death in 988), and provide eye-witness accounts of some of the most important events in the archbishop's long and troubled life. Neither of them has been translated before; the provision of translations and commentary facilitates a new understanding of this cardinal figure of the pre-Conquest English church. Neither Life has been edited since the nineteenth century; the editions in the present book are based on a wholly new interpretation of the manuscript evidence for the two works, so that the text which is presented here is radically different from the text currently in use (that of William Stubbs, published in 1874); furthermore, the excruciatingly difficult Latin of the author of the earliest Life, who names himself only as B., has hindered historians from acquiring a proper understanding of Dunstan's life and achievements. The new translation, in combination with detailed philological and historical notes, allows scholarly access to the work for the very first time, and allows a fresh assessment of many aspects of tenth-century English history.

Gesta Pontificum Anglorum (The History of the English Bishops) is a modern edition of one of the most important medieval texts written c. 1125 by one of England's key historians of the period, William, Monk of Malmesbury. It is a is a vivid narrative on the English Church, its bishoprics and monasteries, from c. 600 to William's contemporary era, and the edition features the original Latin text of the manuscript with the English translation alongside. Conceived as a companion piece to his Gesta Regum Anglorum, this historical work was a unique enterprise, and the result is a substantial book, elegantly written, full of original information, and characterized by intelligent interpretation and judgement. The first four books of the text, treat each diocese in turn, and the fifth book is devoted to the history of William's own monastery. A second volume by R. M. Thomson will contain an introduction and detailed commentary on the work.

Originally written in elegant Latin, this paperback takes the translation from the original hardcover to produce an attractive edition for the student or general reader. It retains the introduction, notes and appendices while presenting the text in a modern English version as elegant and engaging as the original. Written around 1135 by the Benedictine monk, historian and scholar William of Malmesbury (d. 1143), The Miracles of the Blessed Virgin Mary belongs in the first wave of collected miracles of the Virgin, produced by EnglishBenedictine monks in the 1120s and '30s. Only two copies of William's work survive in anything like its complete form, and only one of them represents the finished product. But many of the stories were also transmitted separately,in groups or individually; the systematic use of this evidence is a feature of this new text. Originally written in elegant Latin, this paperback takes the translation from the original hardcover to produce an attractive edition for the student or general reader. It retains the introduction, notes and appendices - important to understand William's quotations and echoes from ancient authors - while presenting the text in a modern English version as elegant and engaging as the original. Anyone wishing to compare the original and this translation may refer to the hardcover which remains available (9781783270163).

This book contains twenty-six articles on a wide range of topics in Latin literature by the eminent scholar and former Professor of Latin at Oxford, Robin Nisbet. Original, stimulating, and at times provocative, this collection represents some of the best in Latin scholarship in recent years.

De oratore is Cicero's most ambitious and original work. Written at the height of his oratorical powers in 55 BC, in the form of a literary dialogue, it goes far beyond "rhetoric" as it was taught in antiquity. It addresses the question of the skills and knowledge of the consummate orator, and pays particular attention to the hotly debated issue of the relationship between oratory and philosophy. This is the final volume of the "Leeman-Pinkster-Commentary" on "De oratore" recently dubbed "one of the great resources of modern Ciceronian scholarship." It covers the important second half of the third book, which contains Cicero's final statement on the relationship between oratory and philosophy; a discussion of the stylistic topics of word choice, prose rhythm, figures of speech, and appropriateness of style; and a discussion of oratorical delivery.